The Literary Season for Parisian Readers

When we say rentrée littéraire, we mean more than 480 new releases—hundreds of authors with strong, distinctive voices. Don’t panic: the intellectual team at Do It In Paris has sorted through the piles of surprises. A family investigation by journalist Marie Richeux, the moving story of a bookseller in the streets of Gaza, a historical tale set in the Scottish archipelagos… Here’s where you’ll find the literary discoveries you absolutely must read this season!

The must-read novel: Officier Radio by Marie Richeux

The pitch. Marie Richeux collects voices and gathers stories. She goes where others refuse to tread, into places of pain that many would rather leave untouched. “How do we not forget?” her father asks. To answer, she dives into the depths of family memory, back to 1979, when her uncle disappeared at sea. Officier Radio was the post he held on the Emmanuel Delmas at the time of the shipwreck. Returning from Africa, his boat collided with an Italian oil tanker on the night of June 26. Few deaths among the Italians, but on the French side, almost the entire crew perished in the fire.

A trial in Italy, financial compensation for families, a ceremony with empty coffins—and then radio silence. Silence from her aunt, who fought to uncover the truth. Silence from her cousin, who lost his father. Silence from Marie’s own father, who lost a brother. It is this silence that drives the journalist to unearth the past, to understand the present. Out come boxes of archives and photographs from the attic—along with long-suppressed voices and a story finally revealed.

Why you’ll love it. Journalist at France Culture, Marie Richeux has the gift of saying much with very few words. In this autobiographical account, she delicately tackles silences, offering a piece of her family’s legacy. With Officier Radio, she also tells the story of seafaring families—especially the women whose lives are lived in waiting. A beautiful text on silence, memory, and its enduring power.

The must-read novel: L’homme qui lisait des livres by Rachid Benzine

The pitch. A French journalist wanders through the streets of Gaza. He photographs what TV never shows: fragments of life that persist despite bombings, capturing a deeper truth. Among the ruins, he knows the city by heart. Yet one day, he discovers a solitary bookseller, sitting on the steps of his shop, sipping tea and reading, surrounded by towers of books. The reporter takes out his camera. “Isn’t there, behind every gaze, a story? The story of a life. Sometimes the story of an entire people,” asks Nabil Al Jaber.

Thus begins the exchange between the two men. We are taken back to the early 1960s. This man, who chose books as his refuge, recounts his childhood in refugee camps, the exile of his people, Israeli attacks, poverty, fear, grief. And amidst this suffering, his story of love—first with books, then with Hiam, with whom he performed Shakespeare on stage among ruins and broken lives. Through his testimony, Nabil Al Jaber shows us the path of forgiveness and compassion.

Why you’ll love it. After Le silence des pères and Voyage au bout de l’enfance, Rachid Benzine once again delivers a moving and powerful story. With sober, precise writing, he offers a contemporary fable about the power of words and the “men-books”—the last resistors against the world’s collapse. Without judgment, he reminds us of the essential: literature and books as havens of beauty. A hopeful story that lingers long after you’ve closed the last page.

The must-read novel: Éclaircie by Carys Davies

The pitch. It’s 1843, in the Shetland archipelago off the coast of Scotland. Ivar is the last inhabitant of his windswept island. Since his family’s departure, he lives a solitary life with his aging animals and his spinning wheel. His days are spent weaving wool or roaming the wild. On one such walk, he discovers an unconscious man at the foot of a cliff. He brings him home, feeds him, mends his torn clothes, and nurses him back to health.

This man is John Ferguson, a minister for the Free Church of Scotland. His presence is no coincidence: he has come to expel Ivar from the island and claim his land. But upon awakening, the pastor cannot bring himself to announce that he has come to take away the only home Ivar has ever known. Thus begins a wordless friendship, built in silence. Ivar points to things, giving John the keys to understand the land and its language—one that he has made his own over time.

Why you’ll love it. From the plains of Kentucky in her first novel West, Carys Davies takes us now to an island off Scotland, close to Norway. We dive into the 19th century, at the birth of the Free Church and during the Highland Clearances, the agricultural upheavals that tore Scottish communities apart. Around these historical facts, the author weaves a profoundly humanist tale. With simple, poetic prose, she delivers a story of remarkable subtlety. A hymn to the words that bind us.

The must-read novel: Nous sommes faits d’orage by Marie Charrel

The pitch. The keys to a remote shack at the edge of the world, and a note: “Find Elora.” Such is the inheritance left by Ester to her daughter. Without hesitation, Sarah leaves Iceland for the Albanian mountains. Guided by a local, she reaches a nameless village, a mystical place where, since the fall of the despotic regime, only a handful of wandering souls remain. From icy fjords to deserted peaks, Sarah—an eco-acoustics researcher—listens to the wind, nature, and the whispers of villagers in this forgotten land.

Her journey leads her on the trail of her mother’s past and of Elora, the “child of fire.” Defying all, Elora chose freedom, following the shepherds who carved poems into stone, shaping the destiny of generations of women—including Sarah. Her quest takes us through the 1970s under dictatorship, the corruption of the 1980s, and the fall of the regime in the 1990s—on the path of Dritan, Ilir, Sokol, and Ester, who resisted through words.

Why you’ll love it. Author of L’enfant tombé des rêves, Les danseurs de l’aube, Les mangeurs de nuit… Marie Charrel excels in weaving myths and legends into our world. Nous sommes faits d’orage is no exception: the author immerses us in Albanian folklore during the despotic rule of Enver Hoxha. She paints a luminous historical fresco, blending imagination, resistance, and freedom. A hymn to nature that shapes us, to words that allow us to exist, and above all, to women—courageous bearers of a collapsing world.

The must-read book: Les Influentes by Adèle Bréau

The pitch: Anne, a mother of three who runs a small business selling handmade creations, sees her life turned upside down when Beyoncé is spotted wearing one of her jumpsuits. Blanche, the editor-in-chief of the major magazine Attitude, immediately notices and seizes the opportunity to capitalize on her rising fame. In a world increasingly driven by social media, Myrtille, a young, trendy stylist, realizes the need to embrace modern tools to promote emerging talents.

Through live Insta sessions, stories, crossposts, and hashtags, the influencer world collides with the fashion scene. But when you bring together a mom who shies away from the limelight, a conservative editor who detests talentless influencers, and a fresh-faced stylist debuting during Paris Fashion Week, three vastly different worlds clash—for better or worse.

Why you’ll love it: Whatever your life, you’ll likely find a bit of yourself in the characters of Blanche, Anne, and Myrtille. The interconnected lives, aspirations, and talents in Les Influentes echo the spirit of La Tresse by Laetitia Colombani, weaving the stories of three strong women. And who better than Adèle Bréau—fashion director at Gala and author of the acclaimed L’Heure des Femmes (published in 2023)—to deliver such a witty, insightful portrayal of the fashion world? She takes readers behind the scenes of major magazine offices and into the most exclusive events, crafting a story that’s both critical (of influencers and old-school editorial practices alike) and nostalgic for a world of glitz and glamor. Her novel is a delightful, eye-opening treat.

The book: Briller by Laurence Cossé

The pitch. The jewels of Marie-Étienne Nitot for Napoleon, the treasures of the Dolly Sisters, the “sun” tiara of Princess Irina Yusupov, niece of Tsar Nicholas II, or the emeralds of the Romanov princesses... These treasures come from a high-jewelry house with a history brimming with anecdotes. Founded in 1780 by Marie-Étienne Nitot, Chaumet has passed through the hands of passionate families: the Nitot of the Empire, the Fossin of the Restoration, the Morel of the Second Empire, and, of course, the Chaumet family since 1889.

This house has not only preserved exceptional craftsmanship but also countless secrets entrusted by its clientele. Chaumet’s history is also marked by a series of disappearances: the Crown Jewels, partially stolen in 1792 and later sold off in 1887, the Napoleonic sets melted down or repurposed during the Restoration… A jewel’s life is full of misadventures, and this makes for an unpredictable and delightful journey through time.

Why you’ll love it: After imagining an ideal bookstore selling only masterpieces in Au bon roman and exploring the political stakes behind the construction of the Grande Arche in La Grande Arche, Laurence Cossé ventures into the world of a Parisian high-jewelry house. With meticulous research from Chaumet’s archives, this novel revives brilliant personalities from the Empire era to today, blending historical and fictional narratives. The author effortlessly takes us behind the scenes of this fabulous family saga that has lit up Place Vendôme since 1780.

The book: La promesse by Camille Laurens

The pitch. This novel begins at the end, with its last lines. Claire discovers the proof we’ve been waiting for throughout the story. Why start at the end, you may ask? Because it allows the story to unfold easily, even if it means breaking a promise. Let’s go back to where it all began: a candlelit dinner where Claire makes a promise to her lover—a promise she knows she won’t keep. And where it all ends: in court.

How does Claire Lancel end up recounting her story before a judge? It’s simple: the rise and fall of a couple, condensed. A love story that could have been extraordinary if not for the lies and manipulations. Between Claire and Gilles, it was love at first sight, quickly followed by disillusionment, the discovery of a man’s perverse love, and finally, nothing left but the question: “Was what we experienced love?”

Why you’ll love it: Camille Laurens is a seasoned author whose name has resonated in the literary world since her debut novel Index in 1991. Before La promesse, there was Fille, where the author delicately explored the transmission of womanhood and the importance of words in their formation. Here, Laurens crafts the tension of a thriller, pulling us into the heroine’s quest for truth. With her incisive style, she dissects a couple’s rise and fall, examining contemporary narcissism, a lack of empathy, and the blindness we embrace when things fall apart.

The book: Patronyme by Vanessa Springora

The pitch. “You’re writing a book about your father? You’re quite tolerant, given all the harm that scumbag did to you!” Yet that’s exactly the project Vanessa Springora undertakes after her father’s death. On her way to La Grande Librairie, she’s called to identify her father’s lifeless body, a man she hadn’t seen in 10 years. A toxic, mythomaniac, hypermnestic, and misanthropic figure who had descended into madness in his final years.

As she empties the 35m² space Patrick Springora occupied, she stumbles upon a shocking discovery: two photos from the late 1930s showing her paternal grandfather wearing Nazi insignia. Horrified, she embarks on a quest for the truth.

But who was this “Czechoslovak refugee always presented to me as a hero”? Her search takes her to the Czech Republic, to German archives, to witnesses in Moravia, and back to her French roots—a nearly obsessive identity quest. Amid small breakthroughs, doubts, and dead ends, Springora delivers a compelling genealogical investigation. The effort is immense, but the result is sublime.

Why you’ll love it: Vanessa Springora became a household name with her first book Le consentement, a powerful testimony of the abusive relationship she endured at age 14 with the renowned writer Gabriel Matzneff—a text that sparked significant judicial changes in France. With Patronyme, she delivers another intimate journey, blending fiction and analysis, travelogues and family legends. She interrogates the myth of her origins, the twists and turns of her family name, and the mysteries surrounding the male figures of her childhood, exposing the devastating power of silence.

The book: Vous parlez de mon fils by Philippe Besson

The pitch. Why did Hugo succumb to the torment inflicted by two stupid and cruel kids? That’s the question Vincent asks as he walks in the procession honoring the memory of his 14-year-old son, Hugo. Accompanied by his wife Juliette and their youngest son Enzo, Vincent reflects during the “white march” through the streets of Saint-Nazaire.

Vincent recalls the moment Juliette confided, “I think something’s wrong with Hugo,” and the harrowing memories of his son’s descent into the nightmare of bullying and despair. Questions intertwine: How are they responsible? How did they fail him? And above all, how can they forgive the bullies’ cruelty, the institution’s cowardice, and the indifference of bystanders?

Why you’ll love it: Philippe Besson, author of L’Enfant d’octobre (on the Gregory affair), Les Jours fragiles (on Rimbaud’s final days), and Un soir d’été (on an unresolved Île de Ré case), has a knack for crafting heart-wrenching narratives. In Vous parlez de mon fils, Besson presents a poignant indictment of modern society’s ordinary violence. Through the narrator’s raw thoughts, he examines intolerance, bullying, institutional shortcomings, adult helplessness, and the complexities of grief and family ties.

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